Fall Equinox, 2018

‘This too shall pass.’ Good moments and bad are temporary constructs. Autumn reminds me more than any season of the promise of change.

In late August, over one weekend, I was hired to teach a geology class at Moravian College. I signed my contract on the following Monday and held class an hour later. I haven’t taught geology since I was a grad student some twenty+ years ago and even though I’ve worked in the field and have practical experience, the decision to teach was not a comfortable one. I work as hard as I can to prepare for lecture each day, literally just a chapter ahead of my students. I’m a planner who likes to be prepared weeks in advance. This time I don’t get that option and so I must adjust and do what I can. It’s good for me — this forced change from how I prefer things. I’ve taken a leap of faith and found that I like teaching. I’ve also fallen in love with geology again. My students often stay after class to ask questions and talk more. I think that’s a good sign.

My new job is keeping me busier than ever, but I find time to work on my second novel from 5:00-7:00AM every morning because that feeds my soul in essential ways l’d be foolish to neglect.


Speaking of novels, my talented friend, Jenn Rossmann, has her first novel, The Place You’re Supposed to Laugh, coming out on November 14. I had the pleasure of reading a couple early drafts of this extraordinary book about a family and neighborhood in Silicon Valley just after the Dotcom bubble burst, when everyone must try to figure out what will come next. At the center of the book is Chad, a 14-year-old black adoptee; Chad’s got to navigate a year of personal “disruption” while his white parents and their neighbors are reeling and anxious. 

Jenn is a fiction writer and an engineer. Her short stories have garnered multiple Pushcart nominations. Check out her website here, and for those in the Lehigh Valley, she’ll be reading at the Easton Barnes & Noble on Sunday Nov. 18 at 3 pm. If you love words, don’t miss it.



On a recent trip to the Whitney Museum in NYC, I saw work by Mary Corse. She uses light as a subject for her art.

Her works look deceptively simple. Yet they are transformed by walking past them since she uses materials that respond to subtle changes in light. Walking from one end of a canvas to another, one thing becomes another, as though Mary Corse intended all along to stop you so you can reconsider assumptions. Her exhibit at the Whitney Museum, A Survey of Light, is on display until November 25.

Wishing you a lovely season of shifting light.

Until next time,

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